Thursday, May 19, 2016

Suspicious to the Core (three / 1)

 Three : “Revolution” : Revolutionize

Like Revolution

Revolution wants to be revolutionized. And yet, it is hardly detectable when within the historical trajectory carrying civilization down the progress paths it began being other than simply—revolution. However, were an historical maze indeed that simple, it might start leaning toward clearly undesirable oversimplification. One cannot, nevertheless, help but wonder why Hannah Arendt and thinkers of her ilk insist on mutually conditioned bastardization between the word revolution and revolutionary practices. All through history.

Perhaps it is not unreasonable to believe that it is because revolution is anchored in paradox. More precisely, the revolution debate brings to awareness ideas related to the question of beginning, as Arendt claims in On Revolution (1977) that there is “the element of novelty inherent in all revolutions” (17).[1] Some of them suggest that: (a) revolution by definition demarcates a new beginning, and (b) all revolutions are of Christian descent. It follows that : (1) indeed, revolution generates new socioscape, as Christianity historically demonstrated, and (2) the very fact subverts the former proposition, as Christian doctrine contends that a belief in radical newness is untenable, or, better still, a self-dissolving one; simultaneously, it confirms perpetual reintegration of the world. Like refacement.

Consequently, that’s the reason why history of revolutions is a series of futile attempts at overthrowing a regime and establishing a new governance with a rise to power of the revolutionary forces. Such historical occasions are certainly not nonviolent. Needless to say, they are everything but a revolutionary dream come true. They do not bring a beginning of a new society,  since hunger for power—as James Joyce puts it so succinctly, albeit not in entirely same context, in A Portrait of the Artist as a Young Man (1991),[2] like “the old sow that eats her farrow” (208) -- dilutes revolutionary impetus robbing from it authentic  energies, impulse, and demands.

Or, is it so? One wonders. If, presumably, authentic urge to revolutionize is aimed at initiating a radically new order, then, indeed, its goals reveal its falseness. However, one should not be misled to conclude that flawed revolutions are inevitable. Nor should one be persuaded to believe that historical records are justification of aggression lest it taint the perception of the potential of revolution. All through history.


Unamerican vs. (no) Revolution

Arendt seems to be highly suspicious of both common wisdom and, in her opinion, flawed attempts to confront some views frequently regarded as historical facts. In that context, she considers the idea of all revolutions being “Christian in origin” (On Revolution 17) and the critique that denies the American Revolution the revolutionary character. The latter is, apparently, based on the belief that, since it is struggle against poverty, and for power that constitutes the major part of revolutionary impetus, in America – the land welcoming the lowest social strata – the problem of radical poverty was nonexistent prior to the historic event (On Revolution 16). In addition, the new continent in which equality reigned provided conditions for generating a society where the problem of divides was taken care of before what is commonly known as the American Revolution took place. One of the most prominent indicators was the possibility of communication between the rich and the poor on an equal footing. Hence, social reconfiguring that history knows as the American Revolution is a series of changes that for centuries have been going under, essentially, a misnomer. The understanding that all revolutions are Christian in origin is denounced by the fact that it is secularization that enabled prevalence of materialist minded culture.

The crux of the polemic could be the critique of the historical occurrence that ensured an intersection between the economic and the political. This initially tangential phenomenon brought about the fusion of the two realms ending up in amalgamation within which the political has been eradicated and continued as a misnomer: essentially, economy under the disguise of politics. This can be tracked to the questions Arendt raises in The Origins of Totalitarianism (1951), where she points out the rise of liberalism and individualism interwoven with an increase in inclinations toward materialist wealth and disregard of fellow humans except as potential competition and object of exploitation. Such a greed infested climate first enabled sprouting a plague of politicians-turned-businessmen, then caused a perception of the world through the prism of hostility and nihilo-cannibalist mentality.

In a world that recognizes uprising only as a means of obtaining materialist gain, that knows no power beyond sheer force, a viable way to redescribe social vocabulary is in the vein of Arendt’s remark about Christian perception of secular history:

Secular history in the Christian view remained bound within the cycles of antiquity –empires would rise and fall as in the past—except that Christians, in the possession of an everlasting life, could break through this cycle of everlasting change and must look with indifference upon the spectacles it offered. (On Revolution 17)

In a secular parlance, it spells out the way to revolutionize both the perception and practice of revolution. Namely, the way in question would be “secularization” of the social realm, i.e., recuperating it by undoing ill-synthesized spheres. Put differently, a possible way for revolution to be revolutionized is its being firmly anchored in the vibrancy of peaceful/peaceable resistance. Like refacement.

Like majestic travesty of storytelling from darkness: tales from the edges of the grotesque, bizarre, abhorring, scornful, subverting the very tone featured on the surface level of the narrative. Tales hiding in obscure depths defiant potential of resistance to the slime and mud caking the crust, to a monstrous narrative device—a seductive, creepily appealing, potentially misleading bait that threatens to hinder communication between the reader and the realms emanating different sound.

Like refacement.

Like a Saturn wandering through the streets of L.A. smeared in humidity vaporized from the slits zoning from beneath baggy eyelids, buzzing with detachment.  Urban archipelago whose islands are scattered across an ungraspable ocean. Islands detached from one another like corrosive skepticism carrying the tales of spies shifting from unreliable fiction to suspicious world that surrounds it. Birds of prey staging a history of civilization in a hazy reverie of desert dwellers of an imaginary Leith. Tales of solace barely detectable in the midst of swarmed, chimera infested world. The world whose mirror image is digitized waves playing with pixel plankton on colossal screens projecting pictures captured with a mighty glamcam. Adopted idiom of binary code galaxies. Adventures in boredom. Billboard screens abound. They peek from the skin, speak from wounds, from everywhere. Ethereal ocean’s dream conjured up in a monster tranquilizer induced sleep, watched by a scribble freed from 3D printing enchantment…“down by the jetty.” Like Stephen Dedalus’s unshakable “No.” Out of cacophony: reconstituting wholesome energies and galvanizing the capacity to learn. Like the remix.




[1] Arendt, Hannah. 1963. On Revolution. New York: Penguin Books, 1977. Print.
[2] Joyce, James. 1916. A Portrait of the Artist as a Young Man. London: Everyman’s Library, 1991. Print.

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